Two general types of sea novels were popular during the 19th century: the navy yarn, which places a capable officer in adventurous situations amid realistic settings and historical events, and the desert island romance, which features shipwrecked or marooned characters confronted by treasure-seeking pirates or angry natives. Around 1815, the latter genre became one of the most popular fictional styles in Great Britain, perhaps because of the philosophical interest in Rousseau and Chateaubriand's "noble savage". Treasure Island was a climax of this development. The growth of the desert island genre can be traced back to 1719 when Daniel Defoe's Robinson Crusoe was published. A century later, novels such as S. H. Burney's The Shipwreck (1816), and Sir Walter Scott's The Pirate (1822) continued to expand upon Defoe's classic. Other authors, in the mid-19th century, continued this trend, with works including James Fenimore Cooper's The Pilot (1823). During the same period, Edgar Allan Poe wrote "MS Found in a Bottle" (1833) and "The Gold-Bug" (1843). All of these works influenced Stevenson's end product.[citation needed]
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